Who is Louise?  
Artist statement  
And Why did she Leap?  
. . .  the story of an artist's beginning. . .
    ARTIST STATEMENT

Sewing cards. Remember them? In my first memory, I am
on a boat with my dad, who is fishing. I am three years old
and threading bright yarn through holes in equally bright
cardboard with a blunt needle. A couple of years later, I
find old curtains in the basement, and play with them for
hours, eventually figuring out how to sew a seam (inside
out!), and make gathers (big stitches, drawn tight!). I make
a dress for my best-friend doll, Cinderella.

I have been thus driven for all of my remembered life.

So it is not so surprising that after fifteen years as a plant
science professor, I find myself once again making things
full-time, rather than in stolen moments.  In those
intervening years, so full of practical considerations, I
developed an enormous respect for plant life.  Plants fill
the world with function and beauty simultaneously. No life
could Be without their primary existence, and yet they live
their lives of incomprehensible utility, exquisite beauty
and languid grace without expectation of appreciation or
recognition. Their sensual, graceful forms and jewel-like
colors inspire and inhabit my work, often in abstraction, but
still evident to even the casual viewer.

I make things because I am compelled and inspired to. The
media I chose changes. The need to create as a means of
connecting to creation . . . to express what’s inside to the
outside . . . to produce a compelling object . . . never does.

    Why did she (finally) Leap?

    Once upon a time, there was a
    child named Barbara LOUISE
    Bowling. And like most children,
    she liked to Make Things. For
    better or worse, circumstances
    conspired to entice her to grow her
    left, rather than her right brain, so
    she eventually went to school for a
    very long time, and became a plant
    scientist.  She worked as a
    university professor (a berry
    specialist) at Penn State under the
    alias of Barbara Goulart. That
    career culminated in writing a book
    called The Berry Grower's
    Companion.  Check it out, if you
    like to grow your own food.

    Why did she Leap?  After 15 years
    of overly-loyal service, she had a
    Very Bad experience at the hands
    of many people at Penn State
    University. So, she decided to
    move to Boise,  Idaho with her
    trusty companions. She was thus
    given the opportunity to
    emancipate her "inner artist child"
    and gave said child her middle
    name, Louise.  Then  she started a
    journey to see if an artist lurked
    inside her rational, verbal, linear
    thinking self.

    And here's the surprise. The artist
    had not died, or even really ever
    stopped Making Things. She just
    needed a little encouragement.

    She began working in media that
    she had been exposed to 30 years
    earlier: Enameling. Metalsmithing.
    Cloisonne.  Of course, her skills
    were tarnished (!) and so she
    became a student whenever she
    was afforded the opportunity. And
    after six years of steady learning,
    working, trying, failing, learning,
    trying again, failing again, and
    ultimately finding a path to some
    success (defined as work she was
    proud of), she once again became
    a student, learned to make a
    website, and that's why you can
    find her here today.

If you're interested in learning more
about her work, or purchasing some of
her small art, check out the
Shopping
Page on this site!

    Good Growing.
    Barbara Louise Bowling
She drank from a bottle called "drink me"
And up she grew so tall
She ate from a place called "eat me"
And down she grew so small
And so she grew while other folks
Never tried nothin' at all.

Shel Silverstein
If you're interested in seeing my
complete resume,
click here
Redefining Precious